Yesterday I completed the third part of Michael McClung’s Amra Thetys Omnibus 1. Part 3 contains the book The Thief Who Knocked On Sorrow’s Gate. The Pages Read Count for the year is now 7912. Next up will be Mark Lawrence’s Emperor Of Thorns, the final book in The Broken Empire series. I have not yet started the review of Cameron Johnston’s God of Broken Things and it will most likely be about another week before completion…
Format: hard cover, first edition, 2015
Reading Time: about 19 hours
One Sentence Synopsis: Fitz returns to Buckkeep, Fool in tow, in some highly emotional scenes, but when he finds out Bee has been kidnapped, nothing will stop him in pursuing the kidnappers and attempting to get his daughter back.
I can’t tell you how charged with anticipation I was to pick up this book after the cliffhanger ending of the first book in The Fitz and the Fool series, Fool’s Assassin, left me wanting more. Robin Hobb has rarely failed to disappoint me, and I expected Fool’s Quest to be no different. So was that the case? Read on to find out, and note that I’ve kept spoilers here to a minimum, although there will be some spoilers of events in Fool’s Assassin, which is necessary to help shed light on this sequel. First, some excellent guest reviews from cyberspace…
Joshua Hill of Fantasy Book Review says: “For those who are not fans of jumping points of view, this book might at times irk, as we continue to jump primarily from Fitz’s point of view, to that of his daughter, Bee. Bee does not receive a lot of page-time in this novel, and when she does the complete juxtaposition in character from that of her father rubs a little raw at times. However, I choose to see that as an example of just how well Robin Hobb has written these characters that the reader is so easily able to see that they have jumped perspective and are now in the mind of a completely different character. In the same vein, Robin Hobb is able to write the Fool in just such a way that he is completely and utterly believably a selfish jerk throughout the vast majority of this book, leaving me, the reader, feeling thoroughly uncomfortable at having to sit through portions of the book where he is whining about one thing or another. But the twist in this is not that the character is badly written, but that his situation has created a person so deeply traumatised and simultaneously hell-bent on revenge that all common-sense and reason has been eaten away, leaving behind only the shell of what once was, and in its place a vengeful and hateful, yet cowardly and fearful replacement. So while I might itch at returning to the point of view of our hero, Fitz, and away from the helplessness of his daughter Bee’s point of view chapters, and while I might desire to throttle the Fool for his absurd view on life, I can do neither (not least because it’s a book) because those are the characters they are, and to be otherwise would result in a lesser story and lesser characters.”
Rob B of SFFWorld states: “There are so many things that happen to Fitz (and the Six Duchies) of tremendous import here, I hesitate to reveal any of them. Some are wonderful (Fitz), others are harrowing (Chade), while still others initially provide for a strong sense of cognitive dissonance (Fitz and the Fool). But of everything, the emotional flavor of this novel for me was bittersweet – heartwarming passages and emotional highs followed by the depths of despair. From Fool’s Assassin to Fool’s Quest, Fitz has been dragged through an emotional crucible, as was the Fool to an extent (both emotional and physical) in prior novels. In the Fool’s case we just get to learn more about it here in Fool’s Quest. My point is that these two characters have spent a great deal of time apart dealing with emotional and physical hardships. They both had to have their souls nearly destroyed so they could become the ideal versions of themselves through a rebirth and healing to confront their adversaries. The sense of urgency in the novel is extremely heightened, despite the same reserved pace that made Fool’s Assassin such a joy to read and experience. Fool’s sense of urgency to strike back at his tormentors, combined with Fitz’s desperation to find his stolen daughter made for incredible tension. Fitz’s experience; however, makes him realize rushing into their situation will only be a detriment to their success. Robin Hobb balanced their tension with a quiet reserve during many of the court scenes and meetings that Fitz was obliged to experience very well, giving both frustration and hope. Hobb’s magnetic, captivating prose completely wrapped itself around me.”
Beauty in Ruins opines: “Fool’s Quest is an absolutely brilliant book that works perfectly on all levels. It takes the story that was introduced in the first volume, builds upon it, develops it, and sheds new light on what has gone before. More than that, it’s also takes the story that was told in the first two trilogies and develops it in some surprising (but welcome) directions. I won’t spoil the moment by providing any sort of context, but if you aren’t overcome with emotion when Fitz says “The roar of acclaim broke over me like a wave,” then you haven’t been paying attention to the sacrifices he’s made throughout the series…As for the other cornerstone here, I won’t lie when I say that I loved every scene with the Fool. Here is a scarred, broken, damaged man, one who has been robbed of everything from his sense of purpose to his sense of future. He’s come to Fitz for help, for protection, and for revenge. He’s so terrified and so vulnerable that we get to experience another role relationship reversal between him and Fitz. The Fool grows as he heals, prompted by his own desire for revenge, by a surprising revelation regarding young Bee, and by his experimentation with a dangerous cure. His scenes are emotionally exhausting – as they should be – and he proves to be just as stubborn and obsessed as Fitz or Chade could ever be…This is a book that I found myself excited about, from beginning to end, never once lamenting those lulls to build character or reveal the truth behind schemes and actions. It was glorious to properly return to Buckkeep, but I also enjoyed our visits back to Withywoods. More than all that, though, I enjoyed our trips through the Stones the most, especially as they take us to some surprising (and nostalgic) places in the concluding chapters…Fool’s Quest isn’t just a return to form for Fitz, Chade, and the Fool, it’s a return to form for Hobb herself. This is precisely the kind of novel we were all expecting from the opening chapter of The Fitz and The Fool Trilogy, and it has me ridiculously anxious to read the next. The pacing is perfect, the characters ring true, and the world building continues in some delightfully surprising ways. There’s a lot of intimate, personal conflict here, and I really wondered how she would resolve it all, but the final chapters are some of the most satisfying she’s ever written – and that includes the agonizing cliffhanger we’ve come to expect.”
Fool’s Quest is the middle book in The Fitz and the Fool series. When I read and reviewed the first book, I stated how I was frustrated by the plot but didn’t think the pacing was bad, while being of the opinion that the characterization was superb, what Hobb in essence is most known for. For me, Fool’s Quest reverses some things. I was frustrated by the characterization, thought the pacing wasn’t bad, and I really enjoyed the plot. I’ll get into each of these aspects in a moment, but it’s important to keep in the back of your mind that this book is outstanding, whatever criticisms I may have of it.
The reason I was disappointed by characterization here, which I usually consider to be Hobb’s strength, is the absolute frustration of following characters that wallow in self-pity, selfishness, or cluelessness. Hobb’s treatment of Fool’s character is the single worst decision she has ever made with regard to any of her characters. The mystery, quirkiness, wit and sarcasm of Fool have been stripped away, to leave nothing but a selfish, bitter and broken child-like man. I realize this was a necessary evil for Hobb to get the plot where it needs to go. That doesn’t mean it is easy to stomach, and is in fact difficult to wade through.
Meanwhile, another frustration is following Fitz as he wanders around Buckkeep, clueless that his daughter has been taken, while the reader knows. It made me want to skip ahead to the point where Fitz finally is informed, because you know the story has to pick up at that point. Skipping ahead would be a mistake, as I will relate in moment, but the desire is there. Bee continues to be a delight for me to follow, and even Shun is redeemed a bit, and while still a bit unlikable, speaks to Hobb’s abilities to make you care about a character that you thought you’d care nothing for. One of the best things about Fitz’s stay at Buckkeep, however, is more page time for Dutiful, Kettricken, Elliania, and Nettle, which is long overdue. The relationship in particular between Fitz and Kettricken is quite complicated. As we know from the past, she is more than just a stepmother…Verity used Fitz’s body to help conceive Dutiful with Kettricken. With Dutiful long gone, leaving Kettricken lonely, there are undercurrents of emotional (and even sexual) tension between Fitz and Kettricken that seem incredibly plausible, especially if you’ve studied the activities among the royals of Great Britain and European nations. I’m still a bit confused about Lant’s character – what is his purpose in the story – but I’ll give Hobb the benefit of the doubt here.
Plot is where Fool’s Quest absolutely shines. Despite Fitz spinning his wheels at Buckkeep for a time, it gives Hobb the opportunity to pursue something long overdue. There is a poignant scene that Beauty In Ruins describes above, without trying to be too “spoilery”:
“if you aren’t overcome with emotion when Fitz says “The roar of acclaim broke over me like a wave,” then you haven’t been paying attention to the sacrifices he’s made throughout the series.”
That’s an incredibly deft way to describe an event without giving too much away. I’ll go along with that, but I will add this: I mentioned in my review of Fool’s Assassin that Hobb is the only author that made me feel so much sorrow, that not only did I have to stop reading as I blubbered at the loss of a character, the hurt stayed with me for days. Here, Hobb achieves the opposite – tears rolled down my face as I was overcome with emotion, but in a positive way. All the wrongs that had been done to Fitz, all the punishment, prejudice and pain, the toiling in obscurity, the absence of a regular life with Molly and Nettle – it is all reversed in a single scene that allows the brilliance of Hobb’s writing to shine more than that of a hundred – nay, a thousand – diamonds. That one scene makes the entire book, and entire series, satisfying and worthwhile. It doesn’t matter what came before, nor where the series is headed…it gave me an amazing moment that I will never forget. Near the end of the is another surprisingly emotional scene involving a character thought long gone. I won’t spoil it, but I will say that it was bittersweet to experience, but I still appreciated that the character wasn’t forgotten. Making an emotional connection between the story and the reader is something Hobb does better than any other writer in fantasy.
As if that weren’t enough, I thought I knew where the plot was going, thinking back to a scene in the original series when Fitz manages to poison a group of men that intend to do him harm. In a surprise twist, things turn out a bit differently than I expected. In fact, Hobb lulls you into the fact that though Fitz still appears to be fairly young, in reality he finds that his age does limit him more than expected. It is such a refreshing alternative to the energy-filled enthusiasm of coming-of-age stories, of which there seems to be an endless supply. But there is also loss that provides motivation for Fitz to truly become Fool’s assassin. In my review of Fool’s Assassin, I mentioned some things that I thought were problems, such as inconsistency in Shun’s characterization, and also things I thought I had cleverly guessed such as Bee’s ties to Fool (though it appears that maybe it wasn’t that hard to figure out). While Hobb explained Shun’s inconsistencies through some dialog from Chade, I still found that explanation a bit implausible.
The pacing isn’t bad. Some found it better in this book than in the first; I thought the first half of the book suffers a bit based on what I wrote above about Fitz being clueless with regard to the welfare of his daughter…we know what happened and have to wait for him to catch up, which takes awhile. The moping bitterness and selfishness of Fool is also a drag on the pace. But once Fitz learns about what happened at Withywoods, the pace picks up and is so compelling that I didn’t want to put the book down. So to summarize, the pace is a little worse than Fool’s Assassin in the first half of Fool’s Quest, but far better in the second half.
In conclusion I can say that Fool’s Quest is outstanding, one of the best books I’ve read this year and it easily tops the list of books I’ve read that were published in 2015. With emotional highs, an unpredictable plot and a bit better pacing than the first book, the only thing that holds Fool’s Quest back a bit is the unusually frustrating (for Hobb) characterization. I am both excited and apprehensive at what I will find in the final book, Assassin’s Fate…
Today I completed the second part of Michael McClung’s Amra Thetys Omnibus 1. Part 2 contains the book The Thief Who Spat In Luck’s Good Eye. I’m now moving on to Part 3, The Thief Who Knocked On Sorrow’s Gate. The Pages Read Count for the year is now 7774. I’m working on the review for Fool’s Quest, but it is still a couple of days away from being completed…
Yesterday I completed the first part of Michael McClung’s Amra Thetys Omnibus 1. Part 1 contains the book The Thief Who Pulled on Trouble’s Braids. I’m now moving on to Part 2, The Thief Who Spat In Luck’s Good Eye. The Pages Read Count for the year is now 7644. Hopefully I’ll get started on a review for Fool’s Quest this weekend, but it probably won’t be finished until next week…
Yesterday I completed Brandon Sanderson’s Words of Radiance thanks to a little bout with a nasty summer cold that forced me to do nothing but lay in bed and read for a couple of days. The Pages Read Count for the year is now 7516, right at 50% of my goal of 15,000. I’ll be reading Michael McClung’s Amra Thetys Omnibus 1, which contains 3 separate books: The Thief Who Pulled on Trouble’s Braids, The Thief Who Spat In Luck’s Good Eye, and The Thief Who Knocked On Sorrow’s Gate. I will probably review each book as I complete it within the omnibus for a total of 3 reviews, rather than write 1 review for the entire omnibus.
Format: hard cover, first edition, 2017
Reading Time: about 18 hours
One Sentence Synopsis: Wirr must deal with the fallout of repealing the laws against gifted and Augers; Caeden begins to regain his memories and struggles to deal with them; Asha investigates the disappearance of Shadows and discovers a greater threat; and Davian runs into problems at the Tol while his instincts urge him to get to the failing Boundary as soon as possible.
In my review of James Islington’s The Shadow Of What Was Lost, the first book in the Licanius trilogy, I praised his worldbuilding and character development, but I was concerned that 3 books would not be sufficient to effectively wrap up the plot. I really loved the first book, so did that carry over to An Echo Of Things To Come, or did it suffer from “middle book syndrome”? Read on to find out, and beware of spoilers for this book and the previous one, but first a few guest reviews collected from other sites…
James Tivendale of Fantasy Book Review says: “The narrative starts slowly and takes a few 100-pages to really get going. A fair amount of new characters are introduced or expanded on from the shorter almost cameo roles they had in the previous book. Andyn, Wirr’s witty and mysterious bodyguard was a personal favourite. Certain side characters never feel as fully fleshed as I would have liked though and more often act as devices to point the main characters in a certain plot direction. The magic scheme is still enhanced and pretty glorious though and through Caeden’s flashbacks we are given views of the phenomenal potential it can have as well as the history surrounding it and it’s past users…The magic-system, world-building, and character-development are sublime. The pacing was slightly off for me here very occasionally…The final third sees everything speed up and previous complexities seem to make sense. There are a few tragic moments, unexpected deaths, and brief torture scenes. All the story arcs conclude in an intense and exciting fashion…”
The Quill To Live explains: “Book two however, is where the plot starts to really become clear. The Licanius series is all about time in many senses. While the magic of the world surrounds manipulating time’s flow, the themes that are explored by the cast also revolve around time. Some characters have lost their past and are working hard to discover who they are and what happened to them. Some characters are trapped in a terrible present that they want to escape, and are searching for anyway to rewrite the past or find a future with hope. And some characters have seen an echo of things to come and must prepare and plan to deal with what they know is inevitable…While it might be unfair to both series, I can’t help but think that Licanius is shaping up to be a better version of The Wheel of Time. It has all the things that made that classic great; a diverse cast, a sweeping epic world, an unambiguous evil to fight against, and a protagonist rising from nothing to greatness. But it also shores up a lot of the issues I have with Wheel (such as its pacing issues); however, no book is perfect. One of the POV’s in the story is a man recovering his memories. His segments are often used to give you insight into the backstory and history of the world as the character and reader discover his past together. This can unfortunately result in some confusing sections as following conversations with people he used to know can be difficult. On the other hand, if you can put up with being a little in the dark you will eventually have enough puzzle pieces to understand who everyone is and what is happening – and the payoff is definitely worth it.”
The Eloquent Page states: “The thing I like most about this book is that each character’s narrative thread weaves seamlessly into the story as a whole. Take Caeden for example. As he uncovers more and more about his murky past, he has to confront the fact that he has done things he isn’t proud of. The question that looms ever greater in his mind. If push comes to shove, would Caeden choose his friends over the greater good? An Echo of Things to Come reinforces the idea that the author has hinted at before; there is no such thing as entirely good or entirely evil there are just endless shades of grey. Character perspective is key when it comes to events unfolding. Due to the gaps in his memory, Caeden is the character ideally suited for seeing both sides of the conflict. Islington does a great job of subtly exploring the nature of this dichotomy while ensuring his observations always enhance the plot…When it comes to epic fantasy I guess you’re going to expect a large cast of characters. I think a story’s ultimate success or failure is dependent on how well the author is able to flip between multiple different perspectives. George R R Martin is a master at this, and James Islington displays similar skill. A shocking admission I know, but in other epic fantasy novels I have skipped whole chapters whenever I realise it is a specific character that is being followed. Fortunately, I never felt the desire to do that in this case…Book two of The Licanius Trilogy achieves exactly what I had hoped for. Not only does it build successfully on the solid groundwork James Islington crafted in book one it also allows the characters to evolve. The second part of a trilogy needs to act as a bridge between the beginning and end of a story. All signs suggest that this latest release does exactly that. Like a massive fantastical boulder, An Echo of Things to Come gathers momentum as it hurtles towards its conclusion. There is little doubt that reading, never mind writing, this series is a massive undertaking but it is entirely worth it. Great characters, a plot that captivates and some first-class world building are coming together to create something quite special. If you like your vistas endless and your narratives legendary then look no further.”
Character development continues to be one of Islington’s greatest strengths. His characters speak and act believable, with emotional depth, and their interaction, especially between Caeden and the immortals, is wonderful. If Islington’s characters lack anything, it is perhaps an absence of personality quirks that would make them more individualistic. Each of the main characters are capable of showing fear, bravery, determination and empathy, but they all feel just a little too “same”, for lack of a better word. They need a few odd quirks or mannerisms that set them apart from each other. Asha is still my favorite character, and she has some tense scenes in the catacombs that are riveting. Davian also has some compelling moments, particularly in sequence at the Tol where he and other augers are confronted, and the resolution is smartly written and satisfying. Wirr has been a wasted character to me, but the scenes in which he confronts his mother create a lot of tension and are well done.
I have to say that I am impressed by the structure of Islington’s writing and plot. This book (and series) is less a question about good and evil, and more so about destiny versus free will. Think about all the fantasy books you’ve read where events all just happily line up to get the story and characters where they need to go. Most of the time it’s actually far too unbelievable and convenient. Lucky breaks, timely assistance, alignment of multiple factors…most stories don’t even acknowledge how the plot elements perfectly fall into place in order to achieve the writer’s desired outcome. In An Echo Of Things To Come, Islington has made a conscious choice to bring the concept out in the open and explain why things happen. There are two opposing forces, or gods, in the story. One god represents chaos and destruction, and is initially depicted as evil. The other god, or “the good one”, manages to contain the evil one by creating a world of predestination, or fate, where every action has already been predetermined.
Where Islington’s story becomes intriguing lies in the question of whether the roles of the god might be reversed, and those fighting for predestination may be on the wrong side. It is something Caeden struggled with so greatly that he turned on his fellow immortals to follow the path of “evil”. This struggle is conveyed, as Caeden travels to a series of pre-determined locations, through a series of flashbacks that restore small bits of Caeden’s memory, with each location triggering a flashback through its familiarity to him. While this is totally fascinating, as The Quill To Live states above, it also serves as the main problem with the book: the flashbacks often cause confusion, because we don’t know the ancient peoples, cultures, and settings in which these flashbacks take place. By design, Islington has hidden much of the worldbuilding and brings it out little by little. For the reader, being given small pieces of information in the overall puzzle often isn’t enough to make sense of what is happening. Several characters have more than one name, which only adds to the confusion. I think an immediate re-read would help immensely, as I found myself skimming back to previous pages in order to put things together. It probably all makes sense in Islington’s head, but for me it was sometimes a struggle to maintain clarity. It’s no secret that I despise flashbacks as an over-used plot device in print or television, and this simply adds fuel to that fire.
With regard to pacing, aside from the flashbacks the book moves along at a decent pace. Davian’s story is naturally compelling as his race to the barrier is impeded. Caeden’s story is just as compelling as he unlocks the mystery behind his past. Asha and Wirr’s narratives should bog the story down, but Islington solves this through the tense scenes I described above. I hated to put the book down, and each time I couldn’t wait to get back to it.
The worldbuilding also continues to be sublime. Although Caeden’s flashbacks are a problem, as the story got closer to the end, I felt I finally had enough information to start putting the pieces together. As I begin to understand more and more of Islington’s world, I am impressed by the thought and scope he has put into its past. The concept of the barrier is nothing new; many books have barriers that fall and release an evil entity. But some of the concepts that Islington employs, such as how the barrier is powered, and how it can be crossed, is pretty unique.
In conclusion I was enthralled with this book, despite my concerns over the confusing flashbacks. The characters and worldbuilding, as well as some of the plot piece reveals and Islington’s ability to maintain tension, continue to support the excellence that began with the previous entry. To me, An Echo Of Things To Come never feels like a middle book or suffers from “middle book syndrome”, despite that being the book’s ultimate purpose. I’m still not convinced Islington is going to wrap up this series to my satisfaction in one more book; it’s more likely that much of the past will remain in the past and largely remain a mystery, unless Islington decides to write some prequels. I also don’t see how the plot will reach the point where Davian time travels to the present day from the future. I’m looking forward to the next book, but I’m a bit sad that the series is coming to end when it deserves a Wheel of Time‘s worth of material. So far, this is the best book I’ve read that was published in 2017, and seems like it’s part of a “golden age of fantasy” where the quality of material that has been recently released is unprecedented…
Format: paperback, first edition (signed by author), 2017
Reading Time: about 12 hours
One Sentence Synopsis: As the Spider King and his allies and minions seek to increase their power while General Fane seems to be deliberately losing the war, it’s up to Lannick, Bale, and Gamghast to stand against them, while Fencress despairs over the changes that have transformed Karnag into something out of nightmares.
Author David Benem provided me with a signed copy of The Wrath of Heroes last year, free of charge. While that was quite generous and I appreciate the gesture, that in no way influences my review. I didn’t ask for a free copy, and as a reader I look for unbiased reviews when choosing to spend my money on a book, so there’s no way I’m going to dupe someone else in the hope of getting more free books and lose all credibility. This review will also be unique in the fact that I didn’t find any guest reviews to spotlight.
The first thing I noticed about the book on receiving it was the sheer meatiness. Weighing in at 520 pages, it is noticeably thicker than the 396 pages of the previous entry. This lends some serious consideration to the notion that this is a book to be taken seriously and promises more depth than the first book. So with that said, I’ll proceed with my thoughts, and try to point out spoilers ahead of time. There may also be spoilers for What Remains of Heroes here, so enter with caution.
In my review of the previous book in the series, What Remains of Heroes, I stated that the action was a bit lacking, but that I had heard that the sequel was better in that regard. This is absolutely true. Those 520 pages that I mentioned above are packed with tense travels through hostile areas, the infiltration of a Necrist stronghold, and an all-out battle for the town of Riverweave, as well as showdowns between multiple characters and their nemeses. The Wrath of Heroes exceeded my expectations in regard to action sequences. While not a thrill ride like Cameron Johnston’s The Traitor God, there is more than enough action here to satisfy the reader. That Benem manages to do this while developing both his main and supporting characters is an impressive feat. I did struggle a couple of times to envision how some of the sequences were playing out, so I think Benem can improve on his descriptions of spacial relationship between characters as well as between them and the environment in which the sequence takes place. I also think that because of the heightened focus on more action and character development, the worldbuilding has lessened – there isn’t quite as much to be found here as there is in the first book – but that is a minor quibble. Benem did such a good job with it in the first book, that what is found in The Wrath of Heroes suffices. Between Bale and Gamghast’s discoveries, the Necrist Tower, The Spider King, and the revelation of two more Sentinels, plus the evolution of Karnag’s character, I feel that there’s plenty of material that indirectly supports the worldbuilding aspect.
The characters continue to be a mixed bag. It’s okay for characters to have flaws, but the degree to which Lannick and Bale struggle is at times frustrating. Benem is really walking a tightrope here. Lannick and Bale are so weak, their struggles are so great, that it often seems like they succeed in spite of themselves, not because of talent or noble character. While these flaws do serve to humanize them and helps them avoid falling into stereotypical tropes, it also makes them less compelling and the end effect is that the supporting characters are far more interesting. This results in disappointment, because instead of reading about those more interesting characters, I’m stuck focusing on ones that I don’t care as much about. Characters like The Spider King, Lorra, Alisa, Wil, and Queen Reyis all deserve more page time.
In an interesting twist that started back in the middle of What Remains of Heroes, Fencress and Karnag have switched places, where Fencress has become a main character and Karnag a supporting one. This is a good choice, too, as Fencress continues to be one of the best, if not the best, characters in the story. The villains of the story like Fain, Alamis, and the dread Necrists are easy to root against. Karnag remains a puzzle to solve, and I have no idea where is character arc is headed, while Fencriss slowly loses hope that she can save him. That unpredictability is a good thing! It’s also worth noting that I didn’t feel as detached from the characters as I did in the first book. Lannick’s emotional instability is still often frustrating, but at least his path to redemption has taken a step forward and he is not as much of a drag on the story this time around. Bale is probably my least favorite character now, and his whining, crying, and constant terror at anything that moves is pretty annoying, but fortunately there are plenty of other characters that lessen his personality’s effect on the story. For what it’s worth, Bale’s part in the story is important, as the Sentinels will surely have a big part to play in the future.
Benem’s plot winds tightly through the book, and I had no idea where it was going. There were several times when I thought I knew what was going to happen, and Benem took the story in a different direction or just flat out surprised me. This unpredictability also adds to the compelling nature of the book. Benem’s not averse to killing off characters, even evil ones, earlier than I expected, in order to advance the plot. It is rather refreshing. The editing seems a little better this time around and nothing stood out to me as a problem…not that it was a big issue in the first book. The writing just seems to be incredibly polished for a self-published novel. The cover art is good and the map at the front of the book is appreciated, although I didn’t really refer to it since I had looked at it previously on Benem’s blog. I should also mention that there are some grimdark elements in the book, so if swearing, severed limbs and torture bother you, best to look elsewhere. It really didn’t bother me at all.
SPOILER ALERT! There are a couple of scenes in the book that I found really compelling. One involved Lannick’s confinement and transport in a coffin, and the moment where hope of escape arrives had me on the edge of my seat. I also enjoyed Bale, Lorra and Alisa moving through the Spider King’s tower and their subsequent showdown with the Necrists. Perhaps the best sequence in the book involves Karnag facing off against the Spider King. All of those moments were memorable long after the pages of the book had closed.
In conclusion, Benem has crafted an action-packed tale that is better than the first book, showing that his writing has improved from the first book to the second. While the main characters are at times a chore to follow, and the worldbuilding has been dialed back a bit, the action, pace, and compelling scenes more than make up for it. When I look at other books I’ve reviewed from 2017 so far, I’d say The Wrath of Heroes is as good as Battle Mage, which I really enjoyed, and far above Forsaken Kingdom. With the increase in self-publishing currently in play that has opened the doors for authors like Benem, this book is proof that such self-published books can offer just as much enjoyment as a published one, but this is entirely dependent on the skill of the author. In The Wrath of Heroes, Benem shows he has that skill. This sets the bar high for The Ruin of Heroes, the third and final book in the series, so I’m keeping my fingers crossed…if Benem can make the leap between his second and third books that he did between the first and second books, I expect The Ruin of Heroes to be outstanding. No pressure, Mr. Benem!